How to Be Creative, Starring Jackson Browne’s Teakettle
I absolutely love this video. It’s from Alison Ellwood and Alex Gibney’s new Eagles documentary on Showtime (and if you’re my age, here’s a warning: you will watch this obsessively, because it’s a time machine to your teen years, and because it’s wildly entertaining for reasons that Bill Simmons details here.
But what I really love about this clip is that it shows how lead singer Glenn Frey began to master the creative skill that underpinned the band’s success. And he did it in an unusual way: by listening through his floorboards to his neighbor, Jackson Browne.
I didn’t really know how to write songs. I knew I wanted to write songs, but I didn’t know exactly, did you just wait around for inspiration, you know, what was the deal? I learned through Jackson’s ceiling and my floor exactly how to write songs, ’cause Jackson would get up, and he’d play the first verse and first course, and he’d play it 20 times, until he had it just the way he wanted it. And then there’d be silence, and then I’d hear the teapot going off again, and it would be quiet for 20 minutes, and then I’d hear him start to play again … and I’m up there going, so that’s how you do it? Elbow grease. Time. Thought. Persistence.”
It goes on from there, all great stuff. For me, the takeaways are:
1) Proximity. Glenn Frey didn’t read a book about songwriting, or hear a talk. The breakthrough started with his social network — on making friends with a guy who was involved in the same craft, and at a slightly higher level. Frey and Jackson Browne became neighbors, and the lessons began.
2) Habit. Through Browne, Frey learned a lesson that eludes many creative types: it’s not about inspiration. As the artist Chuck Close says, “Inspiration is for amateurs. The rest of us show up and get to work.” Browne’s teakettle goes off at 9 a.m., the process starts.
4) Looping. Browne’s creative process is built on the act of circling back through the structure — changing a small piece and looking at the entire thing, then doing it over and over. This is the pattern with any creative act, whether it’s writing or juggling or comedy. It’s an act of construction, where each piece impacts the whole structure.
5) Repetition. Frey learns the repetition isn’t boring; it’s actually kind of thrilling, because it’s the tool that builds songs.
There are also a few other valuable lessons in the documentary having to do with peyote, groupies, and Stevie Nicks — but I’ll leave those for you to enjoy.
Speaking of enjoying, I hope you’ve all been enjoying the summer. Now that September almost here, I’ll be posting more often, starting with a Q/A with David Epstein, author of the new book The Sports Gene: Inside the Science of Extraordinary Athletic Performance. If you have any questions for David, please let me know (we’re talking on Weds Aug 14).